Esther Fernández Rodríguez's essays and occasional publications attend to eroticism and the Spanish comedia; visual and material culture; and performance analysis of classical theater’s contemporary adaptations. Her current work includes editing a volume that explores Anglo-Spanish relations vis-a-vis the contentious image of Elizabeth I in Early Modern Spain, as well as a monograph on the ritualized figure of ‘the puppet,’ in ceremonial and theatrical contexts, which served to materialize representations of religious and ‘non-religious’ worlds across pre-modern Iberia.
El Perro del Hortelano
Edited by Adrienne Martín and Esther Fernández Rodríguez
